Search for Michael Jackson books.

Michael Jackson was unquestionably the biggest pop star of the ’80s, and certainly one of the most popular recording artists of all time. In his prime, Jackson was an unstoppable juggernaut, possessed of all the tools to dominate the charts seemingly at will: an instantly identifiable voice, eye-popping dance moves, stunning musical versatility, and loads of sheer star power. His 1982 blockbuster Thriller became the biggest-selling album of all time (probably his best-known accomplishment), and he was the first black artist to find stardom on MTV, breaking down innumerable boundaries both for his race and for music video as an art form.

Yet as Jackson’s career began, very gradually, to descend from the dizzying heights of his peak years, most of the media’s attention focused on his increasingly bizarre eccentricities; he was often depicted as an arrested man-child, completely sheltered from adult reality by a life spent in show business. The snickering turned to scandal in 1993, when Jackson was accused of molesting a 13-year-old boy; although he categorically denied the charges, his out-of-court settlement failed to restore his tarnished image. He never quite escaped the stigma of those allegations, and while he continued to sell records at superstar-like levels, he didn’t release them with enough frequency (or, many critics thought, inspiration) to once again become better known for his music than his private life. Whether as a pop icon or a tabloid caricature, Jackson always remained bigger than life.

Themes and genres

Steve Huey of Allmusic asserts that throughout his solo career, Jackson’s versatility allowed him to experiment with various themes and genres.  As a musician, he ranged from Motown’s dance fare and ballads to techno-edged new jack swing to work that incorporates both funk rhythms and hard rock guitar. Unlike many artists, Jackson did not write his songs on paper. Instead he would dictate into a sound recorder; when recording he would sing from memory. Several critics observed Off the Wall was crafted from funk, disco-pop, soul, soft rock, jazz and pop ballads.  Prominent examples include the ballad “She’s out of My Life”, and the two disco tunes “Workin’ Day and Night” and “Get on the Floor”.

According to Huey, Thriller refined the strengths of Off the Wall; the dance and rock tracks were more aggressive, while the pop tunes and ballads were softer and more soulful. Notable tracks included the ballads “The Lady in My Life”, “Human Nature” and “The Girl Is Mine”; the funk pieces “Billie Jean” and “Wanna Be Startin’ Somethin’”; and the disco set “Baby Be Mine” and “P.Y.T. (Pretty Young Thing)”. With Thriller, Christopher Connelly of Rolling Stone commented that Jackson developed his long association with the subliminal theme of paranoia and darker imagery.  Allmusic’s Stephen Thomas Erlewine noted this is evident on the songs “Billie Jean” and “Wanna Be Startin’ Somethin’”. In “Billie Jean”, Jackson sings about an obsessive fan who alleges he has fathered a child of hers. In “Wanna Be Startin’ Somethin’” he argues against gossip and the media. The anti-gang violence rock song “Beat It” became a homage to West Side Story, and was Jackson’s first successful rock cross-over piece, according to Huey. He also observed that the title track “Thriller” began Jackson’s interest with the theme of the supernatural, a topic he revisited in subsequent years. In 1985, Jackson wrote the charity anthem “We Are the World”; humanitarian themes later became a central component of his life and music.

Legacy and Influence

Michael Jackson was inducted into the Hollywood Walk of Fame in 1984. There are actually two stars bearing the name Michael Jackson in the walk, the other being that of the Los Angeles talk radio show host of the same name; while Jackson’s name is marked with a record icon, the radio Jackson is denoted with a microphone icon. Jackson had a notable impact on music and culture throughout the world. He broke down racial barriers, transformed the art of the music video and paved the way for modern pop music in his own country. Jackson’s work, distinctive musical sound and vocal style have influenced hip hop, pop and R&B artists, including Mariah Carey, Usher, Britney Spears, Justin Timberlake and R. Kelly. For much of his career, he had an “unparalleled” level of worldwide influence over the younger generation through his musical and humanitarian contributions.

Reviews

Netherland was published in May 2008 and was featured on the cover of the New York Times Book Review where Dwight Garner (NYTBR senior editor) called it “the wittiest, angriest, most exacting and most desolate work of fiction we’ve yet had about life in New York and London after the World Trade Center fell”. It would later that year make the prestigious New York Times Book Review list of “10 Best Books of 2008″ as chosen by the paper’s editors.

James Wood, writing in the New Yorker, called it “one of the most remarkable postcolonial books I have ever read”; and said it has been “consistently misread as a 9/11 novel, which stints what is most remarkable about it: that it is a post colonial re-writing of The Great Gatsby.

Awards and nominations

In the weeks leading up the announcement of the 2008 Man Booker Prize, Netherland was spoken of by some literary pundits as being the favourite to win.  However, on September 9, 2008, the Booker nominee shortlist was announced and the novel, surprisingly at least for some critics at the New York Times, failed to make the list.  The book was also nominated for the Warwick Prize for Writing (2008/9) and made it to the long list of that prize announced in November 2008.

Netherland won the 2009 PEN/Faulkner Award for Fiction.

Find Kurt Vonnegut Signed Books

A list of his books as follows:

Novels

* Player Piano (1952)
* The Sirens of Titan (1959)
* Mother Night (1961)
* Cat’s Cradle (1963)
* God Bless You, Mr. Rosewater; or, Pearls before Swine (1965)
* Slaughterhouse-Five; or, The Children’s Crusade (1969)
* Breakfast of Champions; or, Goodbye Blue Monday (1973)
* Slapstick; or, Lonesome No More (1976)
* Jailbird (1979)
* Deadeye Dick (1982)
* Galápagos (1985)
* Bluebeard (1987)
* Hocus Pocus (1990)
* Timequake (1997)

Collections of short stories and essays

* Canary in a Cathouse (1961)
* Welcome to the Monkey House: A Collection of Short Works (1968)
* Wampeters, Foma and Granfalloons (1974)
* Palm Sunday (1981)
* Fates Worse than Death (1991)
* Bagombo Snuff Box: Uncollected Short Fiction (1999)
* God Bless You, Dr. Kevorkian (1999)
* A Man Without a Country (2005)
* Armageddon in Retrospect (2008, posthumous)